In an earlier post on Sept. 23, I noted that:
"Since the late 1800s Mississippi maintained that white schools were for caucasians only, and that since Chinese were not caucasian, it was ruled that they could not attend white schools. Chinese fought this situation in court, a generation before the landmark 1954 decision (Brown vs. Board of Education) that overturned school desegregation nationwide. The Chinese lost their case, and the ruling was upheld by the U. S. Supreme Court, Gong Lum v. Rice, 1927. Chinese had to establish their own schools to provide better education for their children with the assistance of local churches until white schools finally began to admit them during the late 1940s in a few small Delta towns."
Overdue recognition from the State of Mississippi of how Delta Chinese coped with this problem came on Oct. 21, 2012 with the dedication of an historic marker on the site of the Chinese Mission School established in 1937 by the Delta Chinese with the support of the First Baptist Church and Cleveland community leaders to provide a better education for Chinese children than was available to them. Over 200 attended the ceremony, including some alumni from as far away as New York and California to celebrate the recognition given to this vital collaboration to educate Chinese children and to visit the newly created Mississippi Delta Chinese Heritage Museum housed at Delta State University.
It was a joyous homecoming for the Delta Chinese to pay tribute to their rich historic past.
RTHK, the Hong Kong television network, produced an excellent documentary on Overseas Chinese in North America consisting of 5 hour long episodes aired over the late summer of 2012.
This ambitious project, although it could only scratch the surface of the history of Chinese in North America, nonetheless was a significant contribution by providing audiences in Hong Kong with an overview of the many difficulties that Chinese who left for Gold Mountain had to suffer, but were able to eventually overcome. This documentary serves as an invaluable historical resource for Hong Kong Chinese.
Below are links to the 5 programs on YouTube. Some of the commentary is in Chinese, and the subtitles are also in Chinese, but many of the interviews are conducted in English. I was a consultant and interviewee in the fourth episode which focused on Chinese laundries and restaurants.
Sociologist Kathleen Yep published a book, Outside the Paint: When Basketball Ruled at the Chinese Playground. that documents in rich detail the story of the brief shining moment of this band of spirited and talented Chinese athletes with an unconventional style that relied on speed and aggressive play to offset their size disadvantage against taller opponents.
Unfortunately, many Chinese lived in areas across the United States where their numbers were too few to have access to such cultural experiences. I grew up in Macon, Georgia, for example, where our family was the only Chinese in town. My parents received Chinese newspapers in the mail, probably once a week, that was their window on news from China and about Chinese issues in the United States. Still, we did have ONE Chinese phonograph record, the Chinese National Anthem, that provided a smidgen of contact with China. When I was around 4 or 5 years old, my brother and I, would crank up the old manual phonograph to play this marching music known also as the "March of the Volunteers" and we would march around the room enthusiastically even though we didn't understand the Chinese lyrics.
A friend in Chicago, Bill Tong, recently told me about his more extensive contact with Chinese music in listening to his parents' records and tapes of Chinese music as he was growing up. His father listened to Cantonese opera as well as Chinese pop music that his mother favored. In the Hoisan dialect it was called "see oy cook," or Shidaiqu (in Mandarin). This Mando-pop style of music based in Shanghai and sung in Mandarin fused Chinese folk songs with American jazz and enjoyed enormous popularity from the 30's through the 50's. Among its biggest stars were Zhou Xuan, one of his father's favorite singers and Wu Ying Yin (one of his mother's favorites).